about to paint for the first time in a long time and I AM SO FREAKING EXCITED
~the possibilities are endless~ :,)
“She is by far the most committed, dedicated, focused actor i have ever worked with. a year before we started making the movie, on her own dime for 365 days she trained for eight hours, swam a mile a day, learned ballet, became a prima ballerina, and then when we shot, every single day she was in every single scene in every shot, and she shared her heart, soul and spirit with me and with the world.”
- Darren Aronofsky on working with Natalie Portman for Black Swan.
(via beccaliving)
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I’m one of them.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
about to paint for the first time in a long time and I AM SO FREAKING EXCITED
~the possibilities are endless~ :,)
Viktor Vasnetsov, The Flying Carpet, 1880 by kraftgenie on Flickr.
(Source: sincerelyjoanna, via shutupmerlin)
(Source: confessionalfairytales, via girlinawhimsicalland)